The moderately powered Vibrolux Reverb received a fresh new face in 1968—a silver-and-turquoise front panel with aluminum grille cloth trim, with tone, reverb and tremolo that was still pure Fender. This is one of Stevie Ray Vaughan's favourite amps, sitting somewhere between a Deluxe and a Twin: keeping a cleaner tone than a Deluxe, but crunchier than a Twin, with an earlier breakup - perfect for playing overdriven sounds live, but with beautiful cleans, too.
That’s all available in the 2x10" ’68 Custom Vibrolux Reverb, too, which also has modified all-tube circuitry, vintage channel for traditional silverface tone, custom channel with Bassman® tone stack, and reduced negative feedback for greater touch sensitivity and quicker gain onset.
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