The Best Affordable Gigging Guitar Amps


Don't want to spend a lot of money on a new guitar amp to play gigs? OK, check our guide to the best affordable gigging guitar amps! Find out how loud is "loud enough", how small is "too small" and everything else you need to know, to help you choosing your perfect combo amp for playing live gigs!

Best affordable gigging amps

Let's start by making clear what this blog isn't about - it's not about the very best amps you can get to play live, so it's not for those guitarists who are thinking about getting a new Vox AC30, Marshall Bluesbreaker or Fender Twin Reverb.

Instead, we're aiming to help players who are perhaps making their transition from home practice / band rehearsals into playing their first ever gigs, and those who're simply on a tight budget and don't want to (or simply can't) spend a lot of money on a gigging amp.

The Top 6 Best Affordable Guitar Combo Amps for Playing Live (2016)

Here's our top picks of affordable (under £200*) guitar combo amps that you can use at home and for recording, but which are also good and loud enough for playing live, in most situations.

Marshall CODE25 only £179

Marshall CODE 25 Marshall have finally done it. None of their affordable amps have ever sounded as authentically "Marshall" as the new Code series. This 25-watt amp sounds huge - mic'ed through a P.A., people will think you have a mini JCM 800! ! VIEW MORE

Line 6 Spider IV 30 Guitar Combo Amp only £165

Line 6 Spider 30 IV Line 6 has a good tradition of making great, affordable amps, and this Spider IV 30-watt amp is a great choice if you're looking for a small amp that can be used at gigs and which has a good range of sounds. From heavy-metal, to blues or classic Marshall plexi sounds, this amp delivers a lot for not much money! VIEW MORE

Fender Mustang II v2 only £148

Fender Mustang II V.2 This amp is ridiculous good value, delivering 40-watts output power and featuring 1x 12" speaker. Perfect for small gigs and recording, it looks a bit like a Blues Junior, and many actually prefer it (and its bigger brother, the Mustang III) to the Junior...  so you can be 100% sure this one is a great alternativel! VIEW MORE

Orange Crush 35 RT only £199

Orange Crush 35 RT Orange has a tradition of making some excellent, very "valvey"-sounding solid state amps, and the Crush 35 RT is a good example. This is a no-nonsense, no-modelling, straight-forward amp that sounds loud and almost as rich as a tube amp. Superb! VIEW MORE

Roland Cube 40GX only £165

Roland Cube 40X Like Orange, Roland also has a tradition in making great-sounding solid state amps, such as the legendary Jazz Chorus, and the original Cube amp from the early Eighties. The new Cube 40X continues this tradition, delivering 40-watts of truly great tone. VIEW MORE

Vox Valvetronix VT40X only £220

Vox Valvetronix VT40X Vox has some very good gigging amps priced £200-£300, and the Valvetronix VT40X is a pretty good choice for the price. It recreates the sound of some of the most classic amps, and is a great choice for smaller gigs. VIEW MORE

*All prices correct as of August 2016. Subject to change.

Gigging Amp vs. Practice Amp vs. Recording Amp: What's the Difference?

Playing with a mini amp Playing with a small amp

In simplistic terms, any small (and often cheap) guitar amp is a suitable practice amp to use at home. And any expensive, big, loud guitar amp will for sure be a suitable amplifier for playing live. If you're looking for a good practice amp, a quick look at our Mini Amplification section will show you a few good options, for instance. And a quick glance at some of our best and most expensive amps will reveal a wide selection of great amps that are used today on stages all over the world.

As for recording - well, any kind of amp could be used! But in terms of versatility, tone and practicality, small valve amps are the best choice (a subject worth its own blog, for sure!)

How Loud Does a Gigging Guitar Amp Need To Be?

Fender Pro Junior & Les Paul

There is an awkward category of guitar amps, that leaves some guitarists puzzled - if you buy a 30-watt solid-state amp, for example, is it loud enough for gigging, or is it only suitable for home practice? Like in many cases when it comes to playing guitar, the answer is never straight-forward: it depends on the situation, and it depends on what musical style you play.

If you're a solo act, even a small 15-watt solid-state practice amp could be suitable in a small room, playing in front of less than 100 people. But if you're in a rock band, with a loud drummer, playing a small-to-mid-sized venue, unmiked, that very same amp would be a hopeless choice!

Generally speaking,  you can safely buy a 30-watt solid-state amp, or a 15-watt valve amp, knowing it will be loud enough for playing most gigs. Professional guitarists as diverse as Noel Gallagher and Jeff Beck actually prefer 15-watt valve amps (a Fender Blues Junior and a Fender Pro Junior, respectively).

Venue size & P.A. Quality Play A Part

Small gig You don't need big amps for small gigs...

In most situations, you don't really need a big, loud amp... unless you're in a Hard Rock / Metal band, where louder is always better!

  • If you're playing in a small venue: for instance, imagine a DIY gig at the back room of a pub, without a great P.A., and without miking your amp. A big amp wouldn't be necessary, or even desirable - it could be very cumbersome and take too much space, and also end up just being too loud.
  • If you're playing at one of Britain's many "toilet-circuit" venues: this type of venue usually have decent P.A. and monitors, and your amp will be mic'ed up - so unless yo're using a tiny practice amp, you got nothing to worry about. Also, the sound engineer will nag you to turn yourself down if you use a bigger amp. Yes... it **always** happens!
  • If we're playing bigger venues: at big, proper venues the wattage of your amp is even less of an issue, because they will always have a great P.A. and a competent sound engineer, so whether you use a small or a big amp, you'll have monitors to hear yourself as loud as you want.

In this day and age, very rarely you'd find yourself in a situation where you're playing at a venue that's: 1) too big and cavernous for a smaller amp and 2) which doesn't have the right gear to mic that amp.

Fender Pro Junior mic'ed Fender Pro Junior mic'ed for a gig.

In a nutshell: you can spend over £500+ on a loud amp and have it turned up to 1 or 2, or spend half the money and have your smaller amp turned up to 7 or so. The end result can be pretty similar, and your audience certainly wouldn't notice. So you can save yourself some money and get something that's also much easier to transport!

affordable gigging amps

The Advantages of Using Bigger Guitar Amps

Brian May live Brian May live with his trusty AC30s

Having said all that, bigger & louder amps still have many advantages over smaller ones: for instance, you can get more bass response and more headroom when it comes to using clean sounds at louder volumes. Besides the fact that they look really cool and badass - they remain the main choice for pros playing the big stages worldwide, and this is unlikely to change anytime soon.

If money is not an issue, and transporting a big amp is not a problem, then by all means go for it. After all, amps such as the Vox AC30, Marshall Bluesbreaker or Fender Twin Reverb  are part of the fabric of rock'n'roll, and have become as iconic as the artists who've played them over the years! But if money or transportation are an issue, buying a smaller amp should pose no problem at most gigs, and you can buy one without worries.

Ultimately, choosing an amp is always a very personal thing - and if you're still not sure what amp to get, come and visit one of our PMT Stores, to try a few for yourself!

Guitar Amps

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